-FILM/ EDITOR/ GRADE

Adwoa Aboah blossoms in the likes of Alexander McQueen, Vivienne Westwood and Marc Jacobs in an ode to the grit and glamour of the metropolis in this fashion film. A figurehead of contemporary London modelling, Aboah was captured by Nick Knight for Vogue Hong Kong’s November 2019 cover story.
Filmed and edited by Raquel Couceiro and with a soundtrack from Camden musician Bakar, this film embodies the attitude of the city.

Credits:

Direction: Nick Knight
Fashion: Alexander McQueen, Marc Jacobs, Mary Katrantzou, Vivienne Westwood, Huishan Zhang
Model: Adwoa Aboah
Styling: Anya Ziourova
Hair: Sam McKnight
Make-up: Lisa Eldridge
Nails: Adam Slee
Film: Raquel Couceiro and Myles Henrik Hall Edit: Raquel Couceiro Assistant Editor: Myles Hall
Set Design: Andrew Tomlinson
Carpentry: Pete Rudd
Music: ‘Dracula’ by Bakar
Production: Liberte Productions
Photographic Assistance: Thomas Alexander, Gabor Herczegfali, George Read, Scott Gallagher
Styling Assistance: Richard Kwame Sarpong
Fashion Assistance: Kelly Lim
Set Design Assistance: David Konix
Make-up Assistance: Polly Doggett, Jessie Richardson
Hair Assistance: Fabio Petri
Production Assistance: Jessica Chant, India Pignatiello, Jack Beazley, Annabelle Jordan

-FILM/ EDITOR/ VFX

Nick Knight captures Dutch designer Duran Lantink’s reconstructed clothing in this innovative fashion film! In a response to overconsumption, Lantink approaches fashion with a mend and make-do attitude, splicing together deadstock or what would be discarded garments to create exciting new designs.
Cut 'n' Shut sees Lantink’s cut-up ethos mirrored with amusing green screens and overlays, all thanks to Raquel Couceiro and Myles Henrik Hall's witty edit.

Credits:

Direction: Nick Knight
Designer: Duran Lantink
Models: Gemma, Tinza, Akuac at Brother Models, Clint, Deba, Jess Canje, Lee, Dev, Akuac and Dijon at Anti Agency, Lily and Hannah Wright and Ingmar at IMG, Tex Santos-Shaw at Supa, Sylke Snel, Silke Wijnker, Demi Scott and Justina Law.
Styling: Simon Foxton
Hair: Alfie Sackett and Martin Cullen
Make-up: Laura Dominique
Nails: Adam Slee
Film: Nick Knight, Myles Henrik Hall and Raquel Couceiro
Film Edit and Visual Effects: Raquel Couceiro Assitant Editor: Myles Hall
Music: Torus, The Kaak
Production: Liberte Productions
Photographic Assistance: Rob Rusling, Thomas Alexander, Dale Cutts and George Read
Set Assistance: David Konix
Fashion Assistance: Nadie Borggreve and Thalonja Slui

-FILM/ EDIT/ GRADE/ VFX

For the first issue of poster magazine CHAOS 69, Katie Lyall and Charlotte Stockdale asked Nick Knight to create a unique project. Via Instagram, Knight contacted a selection of incredible talents to take part, each of whom pushes the boundaries of beauty. Each of the artists, @MatieresFecales, @Teratology, @isshehungry and @sadsalvia, are incredible talents, bringing their unique perspectives and personalities before the camera.

Just how far can make-up take you? This fashion film features four artists found on Instagram for their boundary-pushing beauty practices: Fecal Matter, Salvia, Hungry and Maren Bailey. The four devised their own awe-inspiring cosmetic visions for the first issue of CHAOS69 magazine back in 2017. Set to a twisted nursery rhyme soundtrack by Fecal Matter, this is not your regular beauty YouTube video.

Credits:

Direction: Nick Knight
Talent: Fecal Matter, Hungry, Sad Salvia, Maren Bailey
Styling: Charlotte Stockdale, Katie Lyall
Hair: Martin Cullen
Make-up: Talent's own
Film: Patrick Müller, Olive Parker, Britt Lloyd, Rob Rusling, Raquel Couceiro
Film Edit: Raquel Couceiro Assitant Editor: Myles Henrik Hall
Music: Fecal Matter
Title Design: Zachary Mayne
Sound Design: Michael Gossage
DIT: Laimonas Stasiulis
Production: Riana Casson, Susanna Philips
Production Management: Kate Edmunds
Photographic Assistance: Britt Lloyd, Rob Rusling, Thomas Alexander, Johnny Heyes
Styling Assistance: Yamine Daaboul, Jack Schokman
Hair Assistance: Tomomi Roppongi
Production Assistance:
Mariana Caldeira, Sophie Brunker

-FILM/ EDIT/ GRADE/ VFX

Ever-intrigued by the physical-digital hybrid, and fascinated by the growing culture of online face filters, Nick Knight called upon the designer, artist and creative maverick Gareth Wrighton and filmmaker Raquel Couceiro to realise various digital masks chosen with fantastical runway looks in mind. Envisioning how our multi-versal selves can invent multiple identities online, the resulting fashion film propels us towards a user-generated virtual future.

Credits:

Concept: Nick Knight, Gareth Wrighton, Raquel Couceiro
Direction: Nick Knight
Fashion: Jawara Alleyne, Gareth Wrighton Archive, Moschino, Joseph Bates, Mugler, Edwin Mahoney, Hurtence, Soft Criminal
Models: Joe Share, Hannah Vincent
Styling: Gareth Wrighton
Hair: Issac Poleon
Make-up: Joey Choy
Nails: Adam Slee
Film Edit: Raquel Couceiro
Sound Design: Michael Gossage
Title Design: Zachary Mayne
Content Edit: Calum Knight
Executive Production: Katherine Davey
Production: Liberte Productions, Bella Hollamby
Photographic Assistance: Thomas Alexander, Grace Hodgson, George Read, Joe Petini
Styling Assistance: Ollie McCabe, Joseph Bates
Make-up Assistance: Maiko Iwashita
Hair Assistance: Corrine Knight
Production Assistance: Nancy Studholme

DIRECTOR/ EDITOR/ GRADER

DIRECTOR: RAQUEL COUCEIRO @ FE Creatives
SOCIAL MEDIA EXECUTIVE: AMY MASSENGILL
VIDEO COMMISSIONING EDITOR: ELIZABETH JEFFERIES
ON SET PRODUCER: EMILY ROBERTS
MODEL: CHENGXIN
HAND MODEL: CLAUDIA
STYLIST: VIKTORIJA TOMASEVIC
DOP: SIMON PLUNKET
FOCUS PULLER: BEN JONES
2ND AC: JENNY JOHN CHUAN
STEADICAM: JOSH BROOKS
DIT: KATO
GAFFER: JAMES LEECH
SPARKS: CONNOR ADAM
SET: GEORGIA CURRELL
SET ASSISTANT: JASMINE DERHAM
NAILS: TRISH LOMAX
PRODUCTION ASSISTANT: KITTY LAWRENCE
FASHION ASSISTANT: MEGAN HUNT

-FILM/ EDITOR/ GRADE/ VFX

In December 2016, Nick Knight shot a selection of key looks from the S/S 17 collections exclusively for German publication Stern magazine. Knight worked with models Jazzelle Zanaughtti, Anna Cleveland and Madison Stubbington over a three-day period to create an editorial focused on the language of photography. Entitled Ungewöhnlich Schön- which roughly translates from German to 'Unconventional Beauty', the editorial highlight's Knight's signature photographic stylings.

Credits:

Direction and Photography: Nick Knight
Models: Anna Cleveland, Madison Stubbington and Jazzelle Zanaughtti
Art Direction in absentia: Yvonne Gold
Styling: Julia von Boehm
Hair: Eamonn Hughes
Make-up: Lisa Eldridge
Nails: Hannah Bond
Film Edit: Raquel Couceiro
Set Design: Andrew Tomlinson
Sound Design: Akira Morgan
3D Assets: Gabriel Carasso and Tod Ivanov
Production: Riana Casson
Photographic Assistance: Britt Lloyd, Rob Rusling, Thomas Alexander and John Heyes Film: Britt Lloyd, Rob Rusling, Raquel Couceiro
Styling Assistance: Allison Bornstein and Raeann Hayden
Hair Assistance: Valerie Benavides and Kumiko Tsumagari
Make-up Assistance: Jessie Richardson, Shelley Blaze and Nicquitha Thompson
Set Design Assistance: James Robatham and Tobias Blackmore
Production Assistance: Nienta Nixon, Michael Ghossainy and Felix Reitze
Lighting: Direct Photographic
Special thanks to: Stern

FILM

Direction: Nick Knight
Styling: Alexander Fury
Wardrobe Coordination:
Olivier Van De Velde
Hair: Laurent Philippon
Make-up: Terry Barber
Nails: Adam Slee
Set Design: Andrew Tomlinson
Film Edit: Loic Maes
Film Camera: Raquel Couceiro
Photo Assistance: Grace Hodgson, Christoph Langenberg,
3D Assets: Michael Gossage, Izzie Koyander
Focus Puller: Phillip Martin, Frankie Ferrari
Camera Assistance: Will Gething
DIT: David Palmer
Grip: Johnny Donne, Pete Nash
Playback: Alex Bates
Audio Playback: Collin Patterson
Gaffer: Muly Yechezkel, Tony Simpson
Crane Technician: Jody White, Sam Hazel
Rigging: Martin Smith
Laser Operation: Ram Malocca, Tim Driscoll
Wardrobe Assistance: Tasha Bezborodova, Nicole Ready
Seamstress: Allison Bullock
Hair Assistance: Michael Thanh Bui
Make-up Assistance: Eyin Choi
Set Design Assistance: Bradley Barrett, Alfie McHugh, Chris Tomlinson
Construction: Ben Robotham, Nick Underhill, Toney Morris, Magna Set Building Ltd

-FILM/ EDITOR/ GRADE/ VFX

As part of an ongoing collaboration, global lifestyle leader Equinox and filmmaker Nick Knight present High Performance. Riffing on the brand’s 2004 slogan 'It’s not fitness. It’s life', Knight films Naomi Campbell in a series of technicolour environments. Documenting the motion and dynamism of Campbell, the film offers an at once captivating and inspiring visual for those using Equinox Hotels.

Founded on fitness' ability to empower and form communities of high-performance individuals, Equinox boasts 96 full-service health clubs worldwide. Extending their signature high-performance living to the sphere of luxury hospitality, Equinox reached out to Knight to communicate the sentiment in the hotels. Campbell, a firm advocate of a fitness-focused lifestyle - and a long-time collaborator of Knight’s - was the perfect fit for this filmic representation of Equinox Hotels.

Credits:

Direction and Photography: Nick Knight
Model: Naomi Campbell
Styling: Jenke Ahmed Tailly
Hair: Ro Morgan
Make-up: Hila Karmand
Nails: Natalia Mihailova
Film Edit: Raquel Couceiro
Sound Design: Joseph Ashworth
Set Design: Andrew Tomlinson
DIT: David Palmer
Executive Production: Charlotte Knight
Production Manager: Eleri Evans
Production Coordinator: Suzi Simms
1st Assistant Direction: James Dyer
Camera Assistance: Britt Lloyd, Charlotte Ginsborg and Raquel Couceiro
Photographic Assistance: Rob Rusling, Thomas Alexander, Rebecca Scheinberg
Production Assistance: Mariana Caldeira
Styling Assistance: Daisy Oldfield, Rudy Betty
Art Department Assistance: Tobias Blackmore
Focus Pulling: Phil Martin and Catherine Brown

Editor/ Grader/ Retoucher

Aniya By runway film for the Spring Summer 2022 Collection.

“Fluid and Lively movement, to the rhythm of the music. Pure Energy”

Credits:

Direction: Rob Rusling

Post Production: Raquel Couceiro

Director and Editor represented by FE Creatives

Styling : Anna Trevelyan

Art Direction: Luca Grillo

-FILM/ EDITOR/ GRADE

Inspired by Anselm Kiefer's blackened sunflower heads, Nick Knight and Amanda Harlech unite on a live shoot for V Magazine, featuring model-of-the-moment Molly Bair in a selection of designers including Junya Watanabe and Comme des Garcons.

Entitled Amor, the project explores the parallels between creativity and love - both all-encompassing, yet transient. 'The eloquence of Molly Bair through the lens of Nick Knight, in gestures of light and shadow, a poem. Code name: Hamlet. Renaissance scholar, poet. Amor is an expression about the romance of thinking, the algebra of love, the equation of thought and how it is expressed. Design is a voice - the questioning of cloth until it sings, the mystery of great design by the greatest designers, the deep currents of obsession to perfect a truth,' says Amanda Harlech.

Credits:

Direction: Nick Knight
Model: Molly Bair
Styling: Amanda Harlech
Hair: Eamonn Hughes
Make-up: Laura Dominique
Nails: Michelle Humphrey
Film Edit: Raquel Couceiro Film: Raquel Couceiro, Markn Ogue, Britt Lloy
DIT: Joe Colley
Photographic Assistance: Markn Ogue, Britt Lloyd and James Stopforth
Creative Assistance: Chris Sutton
Styling Assistance: Pierre Alexandre Fillaire
Make-up Assistance: Nichola Mai
Hair Assistance: Joon Miller
Production Assistance: Rebecca Deakins and Alex Wolfe

DIRECTOR/ EDITOR

SOCIAL MEDIA EXECUTIVE: AMY MASSENGILL

VIDEO COMMISSIONING EDITOR: ELIZABETH JEFFRIESART DIRECTOR: KELLY HEAPHY

NAP SHOOT PRODUCER: SHARDA FÄHMEL

DIRECTOR: RAQUEL COUCEIRO @ FE CREATIVE

DOP: CIRO CANDIA

1st AC: JAMES SMITH

DIT: CHRIS NUNN

GAFFER: MARCO DI GIULIO

STYLIST: VIKTORIJA TOMASEVIC

STYLING ASSISTANT: FRANKIE CHARTSUWAN

HAIR & MAKE-UP: MATTIE WHITE

SET DESIGNER: GEORGINA CURRELL

SET ASSISTANT: JASMINE DERHAM

-FILM EDITOR

On the tenth anniversary of Nick Knight's spring editorial for British Vogue capturing the rock 'n' roll, tomboy mood of the S/S 11 collections, watch Karlie Kloss and Joan Smalls model on set in a new edit of Mean Streets. Stylist Kate Phelan dressed the supermodels in a selection of looks from the best collections of the season, including Chanel, Miu Miu, Burberry Prorsum, Balmain and Roberto Cavalli.

Credits:

Direction: Nick Knight
Models: Karlie Kloss, Joan Smalls
Styling: Kate Phelan
Hair: Sam McKnight
Make-up: Val Garland
Nails: Marian Newman
Set Design: Michael Howells
Film Edit: Raquel Couceiro
Title Design: Zachary Mayne
Music: ‘Stray Cat Strut’ by Stray Cats

-FILM EDITOR/ GRADE

Film fanatic Rosie Wallin looked to old-fashioned filmmaking to showcase eight of the graduating University of Westminster fashion design students, devising a dark and eerie scene tinged with both the grit and glamour of vintage aesthetics.

'Creating a mood was the most important thing to me. I didn't want it to be too pretty...I wanted it to be a different kind of feminine.'

-FILM EDITOR

Nick Knight and Kanye West continue their decade-long creative partnership with the creation of the Yeezy Supply website. Having collaborated on a number of projects over the years - Knight filmed the Yeezy Season 8 show in Paris (2020), directed Jesus Is King: A Kanye West Film (2019), and has made a number of music videos for West, including BLKKK SKKKN HEAD and Bound 2 (2013) - the Yeezy Supply website is perhaps their most seminal project yet.

'Humans have created art in every medium we have encountered, but we have yet to see an art form emerge from the internet,' Knight told Fast Company. “Why shouldn’t the great art of the internet emerge from an e-commerce website?'

-EDITOR/ GRADE

Soft Furnishings was a fashion shoot with a difference, sprung from the fertile imagination of graphic design legend Peter Saville and captured by Nick Knight for the July 2009 issue of Wallpaper* magazine. Inspired by the distinctly modish fetishisation of contemporary furniture design - and applying this to the sexualisation of an entire environment - Peter Saville worked with Knight, set designer Gideon Ponte and the Wallpaper* team to construct an imaginary 'Erotic House' of Pop perversity, layering abstract and contrasting colours and textures inspired by Richard Hamilton's collages and Allen Jones' canvases to invent a variety of 'rooms' for the eroticised abode.

To people, this post-modern dream home, Nick Knight and Peter Saville turned to stylist Francesca Burns, Italian model Mariacarla Boscono and Autumn/Winter 2009 fashion from the likes of Chanel, Prada, Yves Saint Laurent and Lanvin, accessorised by the less standard accoutrements of the sexual playroom.

In 2017, spearheaded by Raquel Couceiro, the project was revisited. A new film and interview reflect upon the shoot, the apartment and the Peter Saville mythology.

Credits:

Direction and Film Edit: Raquel Couceiro
Direction: Nick Knight
Models: Mariacarla Boscono at Women Management, Alana Zimmer at Supreme, Tony Bruce at Storm, David O'Donnell
Art Direction: Peter Saville
Styling: Francesca Burns at Management + Artists
Hair: Christian Wood
Make-up: Hannah Murray at Julian Watson
Nails: Marian Newman at Streeters
Camera Operation: Rik Patel, Antonio Silva, Andy Vowles
Set Design: Gideon Ponte
Music: Angelo Badalamenti 'Twin Peaks (Laura Palmer's theme)', Kreng 'Wrak', Joel McNeely 'A Mother’s Grief', Various Artists - 'Provenience', Kreng 'Konker', Emptyset 'Collapse', Kreng 'Balkop', Various Artists 'The Tower Master'
Casting: Sidonie Barton
Production: Gainsbury & Whiting, Charlotte Knight
Styling Assistance: Julia Sarr-Jamois, Helen McGuckin, Rosa Maria Bertoli
Set Design Assistance: Poppy Bartlett
Make-up Assistance: Lauren Parsons
Hair Assistance: Jess Furlan
Production Assistance: Stefania Farah

-EDITOR/ GRADE

A short film in paper by Leo Bridle & Ben Thomas.
Train of Thought was made as our graduation film from The Arts Institute at Bournemouth. Although we used digital compositing software, all the animation and models were done by hand, not with CGI. The film took approximately 9 months to complete, from storyboards through to the final edit.
The music is by Portico Quartet arranged by Jack Wyllie
porticoquartet.com/ and sound design by Andrew South vimeo.com/andrewsoundesign

DIRECTOR/ EDITOR

-GRADE & RETOUCH

-FILM/ EDITOR/ GRADE

SHOWstudio aims to reveal every part of the photographic process, from innovative sets and astute styling to unusual photography techniques and breathtakingly unique models. With this in mind, Nick Knight unites with reality-star Kylie Jenner for V Magazine with an aim to showcase this new revolutionising figure in a high-fashion setting. 

Stylist Anna Trevelyan highlights Jenner's notoriety for exhibition through her selection of diaphanous garments. These sheer and translucent items serve to expose Jenner's custom silhouette that has rattled the media and - as some might argue - altered a contemporary perspective on the female form.

Credits:

Direction: Nick Knight
Talent: Kylie Jenner
Film Edit: Raquel Couceiro
Photographic Assistance: Britt Lloyd, Rob Rusling, Thomas Alexander and George Read
Make-up Assistance: Jessie Richardson
Hair Assistance: Freddie Leubner
Digital Operation: Joe Colley
Seamstress: Shirley Fitzgerald
Executive Production: Charlotte Knight
Production Management: Riana Casson
Production Assistance: Mariana Caldeira and Sophie Brunker

-FILM/ EDITOR/ GRADE/ VFX

Top model Winnie Harlow stars in Byblos‘ Spring Summer 2019 advertising campaign captured by fashion photographer Nick Knight. Styling is the work of Anna Trevelyan, with set design from Andrew Tomlinson. In charge of beauty were hair stylist Eamonn Hughes, makeup artist Lisa Eldridge, and manicurist Marian Newman.

DIRECTOR/ EDITOR

Executive Producer: Fabio Mayor
Production Manager: Ella Knight
Creative Director: Elle John
Art Director: Joe Flemming

Director: Raquel Couceiro c/o Fe Creatives
Director of Photography: Ciro Candia
Camera Trainee: Jack Ainsworth
Stylist: Wojtek van Portek
Styling Assistant: Sophie James
Hair Stylist: Raphael Salley c/o Debbie Jones
Make Up Artist: Faye Bluff

Editor: Raquel Couceiro Grade: Gabriel Carasso

Release is a short documentary film on House Shuffling in Britain.

It has been screen at the Raindance film festival on the, 30 September, 2014. It centres around on a new subcultural dance movement that has hit Britain. Derived from the 1920’s Jazz dance ‘The Charleston,’ it has re-emerged in the modern underground house scene with its own sound, fashion and attitude and is now known as ‘Shuffling’.

Credits:

http://vimeo.com/111870624

- EDITOR/ GRADE

Nick Knight and artist Tino Kamal continue their collaborative working relationship with Kamal’s forthright music video Runaway.  Runaway aims to shed new light on the harsh realities of knife crime in Britain's capital. There is a fatal knife attack every three days in London. There have been over 40,000 knife crimes in the UK in 2018 - a 16% rise from the previous year. With children as young as 13 years-old falling victim, systemic change is essential.

'My friend Tino was stabbed in broad daylight on a sunny afternoon in Chelsea, West London. No one rushed to help him, apprehend the attacker, or call the police. Tino realised that if he didn’t do anything he would bleed out and die there on the street. Luckily, he managed to get himself to the hospital on public transport. Tino wrote this track Runaway in the aftermath, as an honest reaction, with the message that you only have one life and it’s precious. I created this video with Tino in the hope that at least one viewer would be impacted and strong enough to turn the other cheek and shun violence - one less family to suffer the real and tragic heartbreak of such an awful and pointless loss.' - Nick Knight.   

There is a fatal knife attack every three days in London. There have been over 40,000 knife crimes in the UK in 2018 - a 16% rise from the previous year. With children as young as 13 years-old falling victim, systemic change is essential.

Credits:

Direction: Nick Knight
Artist: Tino Kamal performing 'Runaway'
Film Edit: Raquel Couceiro
Music: Tino Kamal
Executive Production: Charlotte Knight
Production: Naomi Martin
Photographic Assistance: Tom Alexander and Stefane Belewicz
Film Edit Assistance: Myles Hall
Production Assistance: Luka Terihaj and Alice Kim
Special thanks to Tristan Thomas, Renzo CNO, Luis Dzidzornu, Nicholas Sinclair, Alan James, Ese Sonron, Fahmy Adan and Milena Myslinska who bravely displayed their wounds for this film.

DIRECTOR/ EDITOR/ GRADE

EDITOR/FILM

-EDITOR/ GRADE/ VFX

In May 2016, NikeLab released a collaboration with Balmain golden-boy Olivier Rousteign. The campaign for the 'Football Nouveau' collection, alongside a corresponding editorial story for Dazed & Confused, styled by the title's creative director Robbie Spencer, was shot by SHOWstudio director Nick Knight. Sports figures Laure Boulleau, Blaise Matuidi and Cristiano Ronaldo all feature.

Credits:

Direction: Nick Knight
Fashion: Nikelab X Olivier Rousteing
Talent: Blaise Matuidi, Laure Boulleau
Styling: Robbie Spencer
Hair: Sam McKnight, Eamonn Hughes
Make-up: Val Garland
Nails: Sophie A
Film Edit: Raquel Couceiro
Film: Charlotte Ginsborg
Set Design: Andrew Tomlinson
DIT: Alex Parkinson
Focus Puller: Sally Low
Executive Production: Juliette Larthe
Production: PRETTYBIRD
Line Production: Hannah May
Production Coordinator: Daniel Rodriguez
Photographic Assistance: Markn Ogue, Britt Lloyd, Laura Falconer, Koby Boafo, Henri de Carvalho
Styling Assistance: Louise Ford
Hair Assistance: Declan Sheils, Richard Delassus, Valerie Benavides
Make-up Assistance: Elizabeth Hsieh, Joey Choy
Set Design Assistance: James Robotham, Sam Overs
Art Assistance: Marie Beatrice Fruglier, Maxime Faure
Production Assistance: Isabelle Ogel, Ella Knight
Seamstress: Carol Savaton
Runners: Raphael Corbier, Daphne Lemarchand, Charles Cariou

EDITOR & POST

-FILM

Chase the sun – sustainably. Introducing a new edit of #StellaEyewear, crafted from biobased, natural and renewable materials.

Discover a fresh perspective on sustainable sunglasses – using ingredients from nature to reduce our use of petroleum-based plastics.

-FILM/ EDITOR/ GRADE/ VFX

SHOWstudio is proud to exclusively launch Daphne Guinness's music video, Five Planets. Through the unique vision of Nick Knight, Guinness's dulcet tones appear in smoke and slime. 

Five Planets presents codes of collaboration that are consistent in Knight and Guinness's work. Guinness's unique form is explored through contrasts of light and dark, mimicking the themes of revelation and secrecy that permeate the film. Guinness wears fashion by Iris Van Herpen and Gareth Pugh; designers whose work has shaped much of Knight and Guinness's working relationship.

SHOWstudio's consistent use of innovative technologies such as 3D-scanning and motion capture is especially prevalent throughout this film, edited by Raquel Couceiro with manipulation of imagery by Tod Ivanov.

Credits:

Direction: Nick Knight
Artist: Daphne Guinness performing 'Five Planets'
Hair: Tom Berry
Make-up: Laura Dominique
Nails: Kate Cutler
Film Edit: Raquel Couceiro
Film: Raquel Couceiro and Britt Lloyd
Set Design: Andrew Tomlinson
3D Artistry: Tod Ivanov
DIT: Alex Parkinson
Focus Puller: Philip Martin
Executive Production: Charlotte Knight
Production: Mariana Caldeira
Music Management: Malcolm Doherty
Construction: Karl Crick
Photographic Assistance: Britt Lloyd, Rob Rusling, Tom Alexander, and Barney Curran
Camera Assistance: Emma Scarafiotti, Sara Laimon and Myles Hall
Production Assistance: Jessica Canje and Arianna Marino
Studio Management Assistance: Chloe Baines, Trixie An and Louisa Bergermeier
Art Department Assistance: Tobias Blackmore
Music Management Assistance: Teri Teoun and Prim Dixon
Rigging: Martin Smith
Medic: Keith Middleton

-EDITOR

Perdus is a Short 2D animation. Perdus is set in Paris where a little girl gets lost from her mother and on the busy Parisien tube.

Ellie Goulding

EDITOR/ GRADE

Credits:
Photography: Rob Rusling
Talent: Ellie Goulding
Creative direction & styling @nathankleinstyling
Makeup @daniel_s_makeup
Hair @am_stagrams
Production @mayorproductions
Edit and Grading: Raquel Couceiro

-EDITOR/ GRADE

Drawing on Nick Knight's September 2017 editorial for Alexandra Shulman's British Vogue, Britt Lloyd's fashion film, Put Your Head on My Shoulders sees model Raquel Zimmerman raise the temperature of the room in a potent mix of toxic texture and sensuous sequin. 

Edited by Raquel Couceiro, this film captures Zimmerman in a flash of transparent Miu Miu vinyl, floral Gucci and gilt Versace, all styled by Kate Moss. Throughout the intoxicating and seemingly never-ending night, Zimmerman reclines whilst embarking on an intimate, sensual exploration of her own body.

Credits:

Direction: Jaime Perlman
Photography: Nick Knight
Film: Britt Lloyd
Executive Production: Gawain Rainey
Model: Raquel Zimmermann
Styling: Kate Moss
Fashion Direction: Kate Phelan
Make-up: Val Garland
Hair: Sam McKnight
Nails: Mike Pocock
Edit: Raquel Couceiro
Senior Production: Alice Guard
Assistant Production: Laure Liyombo
Photographic Assistance: Rob Rusling, Thomas Alexander and Johnny Heyes
Production Assistance: Gerard Markes and Alex Harvey
Styling Assistance: Florence Arnold
Make-up Assistance: Joey Choi and Elizabeth Hsieh
Hair Assistance: Declan Shiels
Digital Artworks: Epilogue Imaging Ltd
Lighting: Direct
DOP: Joe Colley
Special thanks to Charlotte Knight, Premier, Streeters, Saint Luke, Viva London, Jess Glaus, Lloyd Barker and Get Set Hire

EDITOR/ GRADER

Director: John-PAul Pietrus

Model: Brea Umali

Stylist: Natalie Wansbrough Jones

Hair: Sam McKnight

Make Up: Sharon Dowsett

Nail TechK Edyta Betka

Stylist Assistant: Eliza Cichowicz

Make UP Assistant: Ophelia Liu

Editor & Grader: Raquel Couceiro

-FILM/ EDITOR/ GRADE

Highly-structured armour-like creations are the subject of an 11 metres high and 120 meters wide photographic installation by Nick Knight on the façade of the Knightsbridge estate in Central London.

Entitled The Knights of Knightsbridge, the installation features 18 striking fashion images, depicting creations from fashion designers including, Gareth Pugh, Rick Owens, Iris van Herpen, Yohji Yamamoto, Moncler, Maison Margiela, alongside an important archival piece from Dior Couture by John Galliano.

Watch fashion from the likes of Dior by John Galliano, Nasir Mazhar, Yohji Yamamoto and Iris van Herpen come to life in this fashion film.

Credits:

Direction: Nick Knight
Executive Production: Charlotte Knight
Production: Mariana Caldeira
Models: Jazzelle Zanaughtti and Wenjing Chang at Storm Management, Tamy Glauser at Next Models, Dennis Okwera at AMCK Models, and Xu Meen at IMG Models.
Styling: Charlotte Roberts
Make-up: Laura Dominique
Hair: Eamonn Hughes
Nails: Marian Newman
Film: Raquel Couceiro Edit: Raquel Couceiro
Digital Operation: Sun Lee
Photographic Assistance: Rob Rusling, Thomas Alexander, Olivier Barjolle and Barney Curran
Make-up Assistance: Naomi Nakamura
Hair Assistance: Valerie Benavides
Styling Assistance: Yamine Daaboul and Jessica Canje
Production Assistance: Shea Cameron, Giorgio Lieu-On and Lallie Doyle
Film Assistance: Emma Scarafiotti, Sara Laimon and Myles Henrik Hall
Music: Maxwell Sterling
Music Co-ordination: Morell Maison
Retouching: Mark Boyle at Epilogue Imaging Ltd
Lighting: Direct Digital
Studio Management: Stalin George
Shot at: Park Royal Studios

-FILM/ EDITOR/ GRADE/ VFX

SHOWstudio presents Nick Knight and Tino Kamal's latest collaboration, London Kings. Representing the unruly ebullience inherent in Tino's unique personality and identity, London Kings employs themes of sex, art, nature and rebellion. 

Styled by the inimitable Simon Foxton, Tino bends boundaries and warps his own identity in flamboyant, frilly dresses. The use of flour and paint-filled condoms are a comical nod within the dark aesthetic inherent to Knight's filmmaking. The combination of these elements play on traditional and historical notions of aristocracy, royalty and jest.

Edited by SHOWstudio's own Head of Fashion Film, Raquel Couceiro, the video allows Tino to explore his sense of self naked and in costume, exposing his trademark tattoos and covering them. The role of iconography is questioned through the animation of said tattoos; Tino's body speaks back. In his own words, he explains, 'I feel like the questions are never going to stop about my tats - if I didn’t have my tats I wouldn’t be Tino - it’s part of the foundation of my image, it is my image.

Credit:

Direction: Nick Knight
Artist: Tino Kamal performing 'London Kings'
Styling: Simon Foxton
Film Edit: Raquel Couceiro
Music: Tino Kamal and Scully
Art Department: James Tailor
Executive Production: Charlotte Knight
Photographic Assistance: Britt Lloyd, Rob Rusling and George Read
Production Assistance: Mariana Caldeira and Sophie Brunker

A Reflection

-EDITOR/ Grade

Lover of poetry Nick Knight invited multidisciplinary artist Mohamed ibn Tewfik to SHOWstudio to offer up words of peace, wisdom and knowledge to all those who will listen. Lose yourself to the words and rhythm of this unique spoken word piece.

Credits:

Direction: Nick Knight
Talent and Styling: Mohamed ibn Tewfik
Camera: Louisiane Trotobas
Film Edit: Raquel Couceiro
Technical Supervision: Michael Gossage
Photographic Assistance: Grace Hodgson

-EDITOR/ GRADE

Director Rei Nadal’s fashion film, created exclusively for SHOWstudio and MACHINE-A, features DELADA’s first full collection. The range was inspired by nostalgic memories of native Russia during the final years of the Soviet Union. These early childhood journeys are referenced throughout the film, with the face of DELADA, Alexander Komarov, frolicking in a forest setting.

Credits:

Direction: Rei Nadal
Fashion: Lada Komarova
Styling: Ellie Grace Cumming
Models: Sophia, Alex, Saska, Seb
Hair: Roku Roppongi
Make-up: Kristina Ralph Andrews
Camera: Britt Lloyd
Film Edit and Grade: Raquel Couceiro
Executive Production: Juliette Larthe, PRETTYBIRD
Production: Hannah Bellil
Production Co-ordination: Laura Thomas-Smith
Photographic Assistance: Elliot Gunn and Modu Sesay
Production Assistance: Ella Knight
Styling Assistance: Poppie Clinch
Hair Assistance: Moe Mukai
Running/Driving: Modu Sesay and Vikesh Govind
Film commissioned by: Stavros Karelis

-EDITOR/ VFX

SHOWstudio teams with Diesel and Nicola Formichetti on the campaign for #DIESELTRIBUTE, Formichetti’s first collection since joining the brand. In a pioneering venture, the campaign was shot by Nick Knight entirely on an iPhone, drawing on his history of working with new technologies and nodding to Formichetti’s personal commitment to utilising Tumblr as a creative discovery tool.

 Credits:

Photography: Nick Knight
Fashion and Artistic Direction: Nicola Formichetti for Diesel
Models: Mykki Blanco, Josh Coleman, Rylan Cutting, Pippa Holland, Hirari Ikeda, Aza ShadeFilm Edit: Raquel CouceiroHair: Tomo Jidai
Make-up: Maki
Nails: Adam Slee, Imarni Shaman
Set Design: Andrew Tomlinson
Photographic Assistance: Markn Ogue, Laura Falconer, Matt Joy, Naomi James
Diesel Assistance: Francesco Decio
Hair Assistance: Yoshi Masuda, Kiyoko Ode
Make-up Assistance: Roberta Kearsey
Set Design Assistance: Ciaran Beale
Thank you to: Diesel, Two Hustlers, Moving Image and Content and NR2154

-EDITOR/ GRADE

Commissioned by MACHINE-A’s Stavros Karelis, Rei Nadal’s latest film for DELADA showcases their A/W 17 collection and its multi-material, patchwork stylings.

Credits:

Direction: Rei Nadal
Commissioned by: Stavros Karelis
Fashion: DELADA, A/W 17
Models: Sophia Reinisch, Alex Komarov Reinisch
Styling: Stavros Karelis
Hair: Susanne Lichtenegger
Make-up: Linda Andersson
Film Edit: Raquel CouceiroFilm Grade: Raquel Couceiro
Cinematography: Britt Lloyd
Set Design: Andrea Cellerino
Executive Production: Juliette Larthe at PRETTYBIRD
Head of Production: Hannah May at PRETTYBIRD
Production: Mira Bajagic
Production Assistance: Ella Knight
Camera Assistance: Poppy Thorpe
Styling Assistance: Leslie Albuerne
Runners/Drivers: Pedro Takahashi, Vikesh Govind

- EDITOR/ GRADE

Model and poet Sonny Hall Hall recite The Thing That Killed My Mother, a poem dealing with the experience of losing his mother to addiction - an ailment Hall has also encountered and importantly, fought.

Now sober, Sonny Hall sits down with DJ Fat Tony - who has also suffered addiction - to speak about sobriety and the healing process.

Credits:

Talent: Sonny Hall
Concept and Creative Direction: DJ Fat Tony
Film: Rob Rusling and Thomas Alexander
Film Edit: Raquel Couceiro
Production and Project Management: Calum Knight

DIRECTOR

-FILM EDITOR/ GRADE

For over two years, Nick Knight, director Rei Nadal and the duo behind Cav Empt explored the term 'youth', documenting their stages of research in a SHOWstudio project entitled 'Untitled Project'- conceptualised by Director of MACHINE-A Stavros Karelis. The research served as development for the project's final stage - a film by Nadal and Knight and a range of limited edition Cav Empt products.

Credits:Direction: Nick Knight and Rei Nadal
Executive Production: Charlotte Knight
Concept: Stavros Karelis and Cav Empt
Models: Ali Michael at Next Models London, Cosimo at TM Agency, Everton at House Warmers and Esrom, Ibrahim, Jyrell, Kalle, Sonny and Karnye.
Styling (Ali Michael): Lauren Coppen
Styling (all males): Stavros Karelis
Casting: TM Casting
Production: Riana Casson
Film Edit: Raquel Couceiro
Grade: Raquel Couceiro
Digital Post Production: Gabriel Carasso
Music: Rezzett
Styling Assistance: Billy McKean and Alex Komarov-Reinisch
Production Assistance: Mariana Caldeira and Mara Brans
DOP: Britt Lloyd
Camera Assistance: Rob Rusling
Thanks to: Annoushka Giltsoff at Cav Empt, Sami Janjer at Nike, and Direct Photographic
Sponsored by: SLAM JAM / SLAM JAM MILANO

-EDITOR

Conquestador is a short3D animation film. 

-FILM/ EDIT

To celebrate his SHOWcabinet exhibition, Noritaka Tatehana took up residence at SHOWstudio on 9, 10 and 11 September 2014 to create a pair of his vertiginous heel-less shoes during a live broadcast. Revealing his process for the very first time, the shoemaker gave a step by step demonstration of the techniques used to create his gravity defying designs. When the shoes were complete, Nick Knight shot them on Daphne Guinness, a longterm champion of Tatehana, in a finale that marked the opening of the exhibition. The shoot resulted in a fashion film that depicts Tatehana's latest creation.

DIRECTOR/ EDITOR

ASSISTANT EDITOR & GRADE

-EDITOR

Animation/ Short Film

-EDITOR/ GRADE

Hong Kong retailer JOYCE and London store MACHINE-A unite on a cross-cultural partnership that highlights the work of the most inspirational Chinese and British fashion graduates. Each boutique hand-picked four exceptional talents from their region to design eight special capsule collections. Shop the looks in our e-store or admire them in ‘Yungsters’, a fashion film by Nick Knight and Rei Nadal.

Credits:

Direction: Rei Nadal, Nick Knight
Fashion: Adam Marc James, Chris O'Carroll, Grace Wales Bonner, Kay Kwok, Kenneth Cheung, Kiko Kostadinov, Ximon Lee, Xiao Li, The Vintage Showroom, Pebble London, Slim Barrett, Converse, The White Briefs, Rokit Vintage, Underground
Talent: Alex Komarova, Jordan Vickors, Josh Barnes, Miles Felix, Rei Delos-Reyes, Sonny Hall, Tom Fletcher, Sue Park
Hair: Roxane Attard
Hair Colourist: Amy Fish
Make-up: Laura Dominique
Film Camera: Nick Knight, Rei Nadal, Britt Lloyd
Film Edit: Raquel Couceiro
DIT: Laura Falconer
Executive Production: Juliette Larthe
Production: PRETTYBIRD
Line Production: Laura Thomas-Smith, Hannah May
Photographic Assistance: Markn Ogue, Britt Lloyd, George Eyres
Styling Assistance:Jordan Duddy
Hair Assistance: Vimal Chavda
Special thanks to: All at SHOWstudio, JOYCE, Charlotte Knight, Stavros Karelis, Maxwell Granger, Direct Photographic and Prime TV

-FILM

La Douleur Exquise was one of six short films inspired by high heels specially commissioned for Brooklyn Museum's Killer Heels: The Art of the High-Heeled Shoe exhibition. The fashion film features a specially-made, one-of-a-kind pair of glass shoes made by footwear designer Georgina Goodman. The glass slipper in fairytales has become a leitmotif for the painful pursuit of love. It is a symbol that embodies both profound beauty and implicit violence. While at first glance incredibly seductive, the shoe is uncomfortable to wear and presents the constant peril that the glass will smash and sever the skin. The film plays with this fetishistic emblem, creating a story of extreme fragility and danger. Passion, tension, hardship and discomfort are all themes that underly this exploration of shoes.